“Expedition 2018.file / The Artist Is Kind Of Present: Part II”, 2018.

Ulajhan, Mir-rama, Sohitar, India
Digital image (from a digital video)
2018
Gussa, Karori, Sohitar, India
Digital image (from a digital video)
2018
Saamana Karana, Mir-rama, Sohitar, India
Digital image (from a digital video)
2018
Sveekaar Karate Hain (Utari Sahn National Park), Maupuia, Sohitar, India
Digital image (from a digital video)
2018
Badhane (Utari Sahn National Park), Maupuia, Sohitar, India
Digital image (from a digital video)
2018
Garuda (Utari Sahn National Park), Maupuia, Sohitar, India
Digital image (from a digital video)
2018
Phool Kamal (Utari Sahn National Park), Maupuia, Sohitar, India
Digital image (from a digital video)
2018
Hathauda (Utari Sahn National Park), Maupuia, Sohitar, India
Digital image (from a digital video)
2018
Shankh/Utari Sahn Summit (Utari Sahn National Park), Maupuia, Sohitar, India
Digital image (from a digital video)
2018
Sohitar Province, India
Digital image (from a digital video)
2018
Immortalized Mortal
Cardboard storage box (containing various objects of various materials)
2018
Himalaya Trekking 1987 Expedition Itinerary (Page 1)
A4 Cartridge paper
2018
Himalaya Trekking 1987 Expedition Itinerary (Page 2)
A4 cartridge paper
2018
Himalaya Trekking 1987 Expedition Itinerary (Page 3)
A4 Cartridge paper
2018
Himalaya Trekking 1987 Expedition Itinerary (Page 4)
A4 cartridge paper
2018

Expedition 2018.file is the second part of The Artist Is Kind Of Present. This part is exploring the idea of memories and memories being attributed to objects.

The series is expressed by reliving (in some ways) a journey through the Sohitar province in India and the Himalayan ranges. This is imagined via the contents of a storage box full of souvenirs and mementos.

Expedition 2018.file also looks at the ideas of what we leave behind and filling the gap between the know and the unknown through imaging/fictioning.